A publication covering music theory — from foundational concepts to analytical frameworks used by working composers and educators.
Each piece covers a specific area of music theory with practical context and clear examples.
A case study breakdown of how small business owners applied music theory principles to improve workflow, communication, and decision-making in their operations.
A neutral case study breakdown showing how specific music theory concepts map onto real communication challenges faced by small business owners.
Three short case studies examining how music theory concepts provided small business owners with frameworks for solving specific operational and structural challenges.
Readers across different backgrounds — students, session musicians, and self-taught composers — describe what they find useful about the publication.
"I've been playing piano for eleven years and still found the piece on secondary dominants genuinely clarifying. It covered the functional logic I'd been guessing at for a long time."
— pianist, Melbourne"The article on polyrhythm notation gave me a framework I could immediately apply to a piece I was arranging. That kind of direct usefulness is rare in theory writing."
— composer, Sydney"Most theory content online assumes you either know nothing or everything. This journal sits in the middle, which is exactly where most working musicians actually are."
— guitarist and educator, BrisbaneArticles published across core music theory disciplines since the journal launched in 2019.
We use cookies to improve your reading experience and understand how you engage with our music theory content.
Your privacy, your choice
